"Though both are bound in the spiral dance, I would rather be a cyborg than a goddess." – Donna Haraway

Perfume 「Spring of Life」 (Teaser) – YouTube.

H/T to the Craftzine blog

This is a teaser trailer for a new song from the Japanese pop group, Perfume.

I agree with Brooklynn at Craft. This color changing dress is indeed cool. As is the song. What I find most interesting, however, is that the dress is placed on bodies that are robotic and puppet-like. So far the characters are shown in fairly passive positions, not doing much more than the Geminoid-F mannequin android about which Janet M. blogged at Fashioning Circuits last month.

It is unclear whether there will be a longer video released with the song. From this brief teaser it would seem that the portrayal of cyborg-femininity is one that is passive and devoid of power. The beats are played out in luminescence across a body that cannot even meet the gaze of the camera.

Can’t we do better than fantasies of pretty, puppet-like women in flashing dresses? To what end should a dress blink? And how can we leverage the electrified garment to challenge mainstream representations of passive femininity?

Cross-posted at Fashioning Circuits.

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